FX Trippy DCTL

Footage-driven cyberpunk silhouette glitches, VHS‑like tearing, mirages, and more in DaVinci Resolve Studio in seconds.

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  $19.99
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Description

DISTORT REALITY

Fast. Fun. Always different.

Stop spending hours building complex displacement node trees and manually creating displacement maps. Trippy is a glitch and distortion DCTL for DaVinci Resolve that delivers cyberpunk silhouette displacement, VHS-like tearing, and reactive mirages in a single, lightweight node. By automatically driving the effect from your footage's natural contrast, it lets you stylise titles, transitions, and music video shots instantly – giving you dynamic, reactive results without the technical headache.

From idea to implementation in the shortest way possible. Works seamlessly across Edit, Color, and Fusion, with no complex node trees, no technical hurdles.

Perfect for: Music Videos, Social Media, Sci-Fi Short Films, Glitch Transitions, Dynamic Backgrounds, and Titles Stylisation.

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KEY FEATURES

Seamless Magic Mask & Power Window Integration: Don't distort the whole frame if you don't want to. Trippy fully respects alpha channels, allowing you to isolate the effect to specific subjects using DaVinci’s Magic Mask or Power Windows for targeted control.

Speed lines from footage in DaVinci Resolve

Instant Line Generation: Build the structural foundation of your glitch or sci-fi effect with one click. Generate dynamic, animated line patterns that interact perfectly with your subject, completely bypassing the need to manually create displacement maps.

Displacement glitch in DaVinci Resolve

Kinetic Displacement Maps: The generated lines act as a dynamic displacement map that reacts organically to the movement in your frame. Need to distort a static image or a locked-off shot? Just tweak the line parameters to create instant, keyframe-free animation.

Image distortion in DaVinci Resolve

Reactive, Footage-Driven Distortion: Automatically warp and displace your image using its own natural contrast and luminance. Create organic, reactive effects in seconds — no manual tracking, rotoscoping, or complex node setups required. The footage drives the effect itself.

Blend modes with Trippy DCTL in DaVinci Resolve

Blend Modes & Extras – combine displacement and lines with blend modes. Built‑in HSV adjustments and Harsh Grain (inherited from Remix DCTL) add stylised, textured finishes.

Trippy DCTL UI in DaVinci Resolve

 

QUICK TIPS

Tricky Fusion Masks

Matte Control node in DaVinci Resolve Fusion with Trippy DCTL and masks

In Fusion, don't connect a mask directly to the Trippy DCTL node. Use a MatteControl node instead – set Combine to Combine Alpha and Combine Op to Copy.

Transitions

Drop an adjustment layer with the DCTL over your clip cuts, then keyframe or randomise the effect for a unique glitch transition. Combine with standard dissolves for an even smoother cut.

To save as a preset, drag the adjustment layer into a Power Bin in the Media Pool.

Titles

On the Edit page, add Text+ to the timeline and apply the DCTL to it. More textured text creates a better internal displacement map for the distortion effect. Use with Rndm Pivot, Rndm Displacement, and Rndm Offset for better results.

Combine

On the Color page, use 2 sequential nodes with an effect on each to create a glitch silhouette using a Magic Mask and different displacement types. Then on the Edit page, add Text+ layers with individual Trippy DCTL instances. Then add an adjustment layer over everything and apply the DCTL with keyframes for even more style. Your imagination is the limit.

Backgrounds

Use generated lines as a background or speed lines. They naturally fit your project's pace and colors – generated from your own footage.

UI Tooltips

If you are not sure about the function of a parameter, hover your mouse pointer over the parameter name and you'll see a hint.

Note: tooltips are not available on the Fusion page.

Performance

Setting Harsh Grain to 0.0 can drastically increase performance on low‑end workstations or extremely high‑resolution timelines.

 

EXTEND YOUR STYLISATION TOOLKIT

Oscillograph DCTL – turns footage into modulation-style waveform, stylised titles, sci-fi HUDs, and realistic camera overlays.

Learn More
Simple Mix DCTL for DaVinci Resolve

Simple Mix DCTL – axis-based color grading tool – creates striking palettes, split-toning, clean saturation without destroying shadows.

Learn More

PLEASE NOTE

Demo version has watermarks.

System Requirements

DaVinci Resolve Studio 19.1 and newer.

GPU: NVIDIA or Apple Silicon. 

Discussions

Want to talk about it?

Head over to r/aescripts to chat with fellow users about this product.

Need Support?

Please open a support ticket to be connected directly with the author of this product

Version History

1.1.0 -

Jun 25, 2026

This update introduces new features and fixes which extend DCTL usability beyond full‑frame distortions.

Fixes:
- Improved randomisation algorithm – Harsh Grain now produces no artefacts on areas with almost even luminance values.
- Fixed alpha channel behaviour – masks can now be used to isolate objects for distortion.
- Show Pivot now draws a red line instead of black.

New features:
- Rndm Every X Frame – generates new random values every X frames for Rndm parameters. Use without animated Rndm Seed.
- Flickering – randomly bypasses the effect at a user‑defined frequency.
- Transparent – improves Threshold usability on the Edit page by making the source transparent or opaque where Threshold removes lines.
- Protect Input Mask – prevents displacement from moving the input mask. New opaque pixels can still be added.

1.0.0 -

Nov 12, 2025

This major update introduces significant improvements and new features that leverage the latest DCTL API in DaVinci Resolve 19.1. Please review the following changes and important compatibility notice.





Key Improvements & New Features:

- Independent Displacement Direction: Displacement now has independent control from the lines' direction. You can now use horizontal lines with vertical displacement, and vice-versa, unlocking new creative possibilities.

- New Harsh Grain Parameter: This new effect works by randomly mixing source image pixels and then applying a custom blend mode to create a distinct, textured look.

- New HSV Color Controls: Added intuitive Hue, Saturation, and Value parameters that work in the HSV color space for more natural color adjustments.

Note: For optimal performance, the RGB-to-HSV-to-RGB conversion is automatically bypassed when all HSV sliders are at their default values.

- New 3-Point Gradient: Introduced a new gradient type that uses edge pixels combined with pixels from the pivot line inside the image, creating more complex and organic color transitions.

- Streamlined Blend Modes: All blend modes have been consolidated into a single, easy-to-use parameter for a cleaner interface.

- New Pivot Line Visualization: Added a checkbox to visually toggle the pivot line on and off, making it easier to align and adjust your effect.

- Enhanced Randomization: Added new randomization controls for Hue and the Pivot position, allowing for more dynamic and automated looks.

- Adjusted Default Values: Optimized starting parameters for a better out-of-the-box experience.

- Performance Optimizations: General under-the-hood improvements for a smoother user experience.





Changes Leveraging DaVinci Resolve 19.1 DCTL API

- This update fully utilizes new features available from DaVinci Resolve 19.1 onwards, resulting in the following enhancements:

- Native Random Generator: Random effects now use Resolve's native random generator, which automatically re-generates on every frame for truly dynamic results.

- Alpha Channel Support & Workflow: The DCTL now processes the alpha channel. You can use the node's alpha output to share masks with other nodes. Combined with the Threshold parameter, this allows you to use Resolve's native tools on the same node to refine the affected areas and utilize node-level composite modes for greater flexibility.

- In-UI Tooltips: Helpful tooltips have been added for parameters where the functionality may benefit from explanation. To reduce visual clutter, tooltips are not present on parameters with immediately obvious functions.





! Important Compatibility Notice

This version and all future versions of FX Trippy require DaVinci Resolve 19.1 or later.

Due to its reliance on new DCTL development features introduced in Resolve 19.1, this plugin will not function in prior versions of DaVinci Resolve. Please ensure your application is up to date.

0.1.0 -

Nov 14, 2024

Initial release.

Compatibility

Davinci Resolve

21, 20, 19

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Updated: Oct 21, 2025 1:35 AM

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