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James Bond Visualized with Plexus

Posted in Animation Particles After Effects Design News Interviews by aescripts + aeplugins on February 13, 2013

When a cutting-edge computer visualization of James Bond's head was necessary Navarro Parker and Bradley G Munkowitz (aka Gmunk) were called to do the task.  We were lucky enough to score an interview with Navarro about his process and life in general.

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This tutorial will show you how to use VC Element and Locations.jsx to create a globe in 3D space with a geo marker and text overlay.

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Animate a character using markers

Posted in Animation After Effects Tutorials by mamoworld on December 20, 2012

In this After Effects tutorial I show an automatic way how to play sounds at each marker, how to modify properties at each marker and how to time remap clips at each marker.

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In this 2-part tutorial we will show you how to create complex 3D animations that can be integrated into live footage without leaving After Effects. We achieve this by using exciting new tools such as Element 3D to create the 3D models and Elementary for the live footage integration.

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In this tutorial you will learn how to use a whole bunch of useful tools to improve your 3D tracking and compositing workflow.

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In this tutorial we’ll use the new features in Plexus 2 to create a theatrical style logo animation using just one layer! Consider this a tutorial on how to work with text in the new Plexus 2.

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Announcing Plexus 2

Posted in Particles After Effects General News by Rowbyte on August 15, 2012

We are very excited to introduce the next feature-filled version of Plexus. Plexus has been very well received by the community and we love seeing all the work that is created with it. We have also received numerous requests asking for new features and have put tremendous effort into developing these new features.

There are many new exciting possibilities using the new version and we hope it’ll be an invaluable part of your toolkit.

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In this After Effects Tutorial we create a talking tree. While this is usually a lot of manual work and requires a lot of keyframes to animate the mouth, we are going to automate it with the tool Auto Lip-Sync.

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In this tutorial we create an effect that is currently quite popular: We create a futuristic, semi-transparent communication screen that is attached to a persons fingers.

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Create an Audio Reactive Logo Reveal

Posted in Audio After Effects Tutorials by mamoworld on May 29, 2012

In this tutorial, learn how to create a logo animation using After Effects and various tools from the Trapcode Suite. To make the animation react in sync to the audio, we combine Trapcode Sound Keys with Audio iExpression

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In this tutorial you learn how to turn a graffiti painting on a wall into a living person. This effect is inspired by the Brush With Death clip.

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Create Glitchy Type

Posted in Animation After Effects Design Tutorials by Lloyd Alvarez on March 27, 2012

This mini-tutorial shows how to quickly create a glitchy type animation that can be composited on top of other footage.  Great for title sequences or mal-functioning computer displays.

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This tutorial shows how to use iExpressions and 3D Extruder to make a sound syncronized kinetic type animation. Watch for the use of Zorro to help keep the timeline organized and improve the workflow.

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This tutorial shows how to make pans ultra-smooth by stabilizing them using Mocha and After Effects.

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This tutorial shows you how to create this fully dynamic, fully 3D title intro animation all in After Effects quickly and easily without having to write a single line of code.

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Learn how to create a very cool Finger Tutting (aka Finger Dancing) remix video using Plexus.

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Learn how to create a 3D "plexus particle stream" using Plexus, Particular and Optical Flares

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'Art of Flight' Title Sequence Loves Plexus

Posted in Animation Particles After Effects Design News Interviews by aescripts + aeplugins on November 17, 2011

"The Art of Flight" is a landmark achievement in action sports filmmaking with an equally impressive title sequence. The design and production of the title sequence which uses Plexus throughout was led by creative director Chris Murphy who granted us an interview that we are very happy to share with you here. Read On.

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