Stereo 360 Stabilization with Mocha VR

Posted in Tracking Mocha Tutorials by Mary Poplin on August 15, 2018

Use Mocha VR running inside Adobe After Effects to stabilize and smooth difficult 360/VR drone footage.

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Tiny Tank (360 VR video!)

Posted in After Effects Mocha Compositing Inspiration Live Action by aescripts + aeplugins on July 12, 2018

Very cool 360/VR project created using Mocha VR by SoKrispyMedia

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Track and replace parts of an actor's face using Mocha Pro by Martin Brennand of Boris FX

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In this Mocha short rotoscoping tutorial, Mary Poplin shows how to create roto masks quickly for simple effects isolation and effects compositing.

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Behind Hulu’s New 360° Interactive Comedy Door No. 1

Posted in After Effects Mocha Inspiration by aescripts + aeplugins on June 13, 2018

Great behind the scenes look at Hulu's Door #1 VR show created with Mocha VR by Ryot

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Digital Beauty Retouch | Age Reduction VFX

Posted in Tracking Mocha Inspiration Nuke by aescripts + aeplugins on June 11, 2018

Another incredible age reduction vfx using Mocha Pro by rousselos Aravantinos

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Hybrid Mud | Age Reduction VFX

Posted in Tracking Mocha Compositing Inspiration Live Action Nuke by aescripts + aeplugins on May 31, 2018

Amazing tracking and compositing using Mocha Pro to create some extremely realistic anti-aging effects on the full body by rousselos Aravantinos. Please note that this could be considered NSFW.

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ANGUS & BRIAN

Posted in Animation After Effects Mocha Inspiration by aescripts + aeplugins on May 17, 2018

Fun claymation with automated lip sync using Auto Lip-Sync, Mocha and MochaImport+ by Frederik Thelander

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Learn how to replace screens on lens distorted footage in Premiere Pro using the Mocha Pro plugin by  Surfaced Studio

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Quick Tutorial: Mocha Pro Plugin Lens Module

Posted in After Effects Mocha Tutorials by Clockwork 9 Studios on April 25, 2018

A short overview of the Lens Module within the Mocha Pro Plugin for Adobe Premiere and After Effects.

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Sick skiing and graphics using Stardust, Plexus and Mocha by FG (franck guedj)

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Mocha Tips: How to Track Occluded Object

Posted in Tracking After Effects Mocha Tutorials by Mary Poplin, on March 28, 2018

In this quick tip, Mary Poplin, Boris FX Product Specialist, will cover some Mocha tracking techniques to solve difficult shots: what to do when the object you are trying to track is partially or fully occluded, the importance of layer order, how to avoid occlusions, and how to spot occlusions before you start tracking. 

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Mocha Tips: Avoid Reflections & Shadows

Posted in Tracking Mocha Tutorials by Mary Poplin on March 12, 2018

In this tutorial, Mary Poplin, Boris FX Product Specialist, will cover some Mocha tracking techniques for avoiding reflections and shadows.

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Coca-Cola Mural

Posted in Tracking Mocha Compositing Inspiration Live Action Nuke by aescripts + aeplugins on February 16, 2018

Fantastic spot and character design and animation by Golden Wolf and Psyop for Wieden & Kennedy

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Wonder Wheel VFX Highlights - Brainstorm Digital

Posted in Tracking Mocha Compositing Inspiration Nuke by aescripts + aeplugins on January 9, 2018

Nice VFX Breakdown reel using Mocha Pro by Brainstorm Digital

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In this advanced VFX video tutorial, Mary Poplin reviews the steps she used to remove multiple objects from a moving shot with the Mocha Pro plug-in for After Effects and Premiere Pro. Covers advanced tips for planar tracking and object removal.

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Explore Shape Based Tracking

Posted in Tracking After Effects Mocha Tutorials by Mary Poplin on November 8, 2017

Mary Poplin of Imagineer Systems explores the difference between the shape and the surface tool in Mocha Pro

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Ross Shain of Imagineer Systems shows how Adobe Photoshop's new spherical panorama features are a welcome complement to Mocha VR for replacing unwanted objects in a 360 video scene.

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How to use Eye Tracking to save an Actor's Performance

Posted in Tracking After Effects Mocha by Imagineer Systems on October 12, 2017

Learn how to use Mocha Pro in #AfterEffects to easily track and fix an actor momentarily looking into the camera.

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