In this interview, we talk to Mike Odendahl about the technical challenges of the project and how Adobe Premiere Pro and Adobe Audition allow him to work effectively. We also talk about our Extension BeatEdit (which is available for Premiere Pro, Audition and After Effects) and how it streamlines Mike's work.

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Check out this interview with Lockdown and Composite Brush creator Chris Vranos on the Mograph Podcast

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James from Plugin Everything interviews Chris Vranos, developer of Lockdown and Composite Brush. Watch all 3 parts now!

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Andrew Embury Interview

Posted in Animation After Effects News Interviews by Clay Asbury on September 27, 2019

Get to know Yellow Lab Studio head, Emmy nominated, Award-winning motion designer and all-around awesome person Andrew Embury!

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Lloyd Alvarez Interview on Ukramedia Podcast

Posted in News Interviews by aescripts + aeplugins on November 1, 2018

Lloyd was interviewed on the Ukramedia podcast where he talked about fatherhood and what it was like starting and running aescripts.com.

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The Plugin Everything crew has a live show and as their second guest, they invited aescripts + aeplugins founder Lloyd Alvarez. Make sure to tune in Friday August 24 at 3PM GMT which is 11am in NY and 8am in LA so set those alarm clocks now!

Check out the recorded interview after the fold.

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The Plugin Everything crew is doing did a live show and as their first guest, they have had the super talented Fraser Davidson of Cub StudioMake sure to tune in June 22 at noon GMT which is 8am in NY so set those alarm clocks now! Check out the interview after the click.

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Hedley – Love Again | 360º Music Video

Posted in After Effects News Interviews Inspiration by aescripts + aeplugins on December 5, 2017

Great 360º Music Video created using Mantra VR by Occupied VR. Includes Q&A by Mettle with the authors.

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In this interview Mathias Möhl talks with Emil, known for his youtube channel Virgeo1228, about creating high quality stop motion movies with LEGO and Auto Lip-Sync.

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Interview with Kim Holm

Posted in After Effects Design News Interviews Cinema 4D by aescripts + aeplugins on June 20, 2017

Check out our exclusive interview with super-star designer and all around awesome guy Kim Holm.

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School of Motion interviewed aescripts + aeplugins author Zack Lovatt about what it's like to be an #AfterEffects tool developer.

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Interview with Nick DenBoer director of The Chickening

Posted in After Effects News Interviews Cinema 4D by aescripts + aeplugins on February 1, 2016

Nick DenBoer director of the super dope and original "The Chickening" sat down with us to share his workflow, inspirations and more!

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Simon Bronson Interview

Posted in Particles After Effects Design News Interviews by Satya Meka on May 18, 2015

Satya Meka, founder of Rowbyte interviews Simon Bronson, the Head of Design at Method Studios in Melbourne, Australia.

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15-Yr-Old Kelvin Doe Wows M.I.T.

Posted in General News Interviews Inspiration by aescripts + aeplugins on March 10, 2014

This is a different kind of inspiration video but very inspirational no less!  15-Year-Old Kelvin Doe is an engineering whiz living in Sierra Leone who scours the trash bins for spare parts, which he uses to build batteries, generators and transmitters. Completely self-taught, Kelvin has created his own radio station where he broadcasts news and plays music under the moniker, DJ Focus.

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James Bond Visualized with Plexus

Posted in Animation Particles After Effects Design News Interviews by aescripts + aeplugins on February 13, 2013

When a cutting-edge computer visualization of James Bond's head was necessary Navarro Parker and Bradley G Munkowitz (aka Gmunk) were called to do the task.  We were lucky enough to score an interview with Navarro about his process and life in general.

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'Art of Flight' Title Sequence Loves Plexus

Posted in Animation Particles After Effects Design News Interviews by aescripts + aeplugins on November 17, 2011

"The Art of Flight" is a landmark achievement in action sports filmmaking with an equally impressive title sequence. The design and production of the title sequence which uses Plexus throughout was led by creative director Chris Murphy who granted us an interview that we are very happy to share with you here. Read On.

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