Tim Kurkoski from the After Effects team, explains the new features in After Effects CC (April 2017) in depth.

A simple workflow breakdown for Adam Turnbull's traversal animation, "The Descent"

Explainer using Ray Dynamic Color, Element 3D and Ease and Wizz by Bupla

Explainer using Explode Shape Layers, Real Glow, Flow, Auto Crop, Copy Paste Markers and Paste Multiple Keyframes by Matthew Roberts

Awesome interactive site that illustrate how a parametric Bézier curve is constructed.

In this tutorial, Ben Pohl shows you how to use the automatic, procedural walk cycles of iExpressions with an After Effects character rigged with DuiK.

Mettle Announces Collaboration with Facebook to Bring Depth-Related VFX to the New Facebook Surround 360 Cameras’ Post Production Workflow

Mix Master Mike’s award-winning Magma Chamber VR Experience created using SkyBox Studio. Also includes Adobe MAX presentation by the creators.

Learn how to animate your clones synced to the audio spectrum in After Effects using Cloners+Effectors.

Adobe released After Effects CC 2017.2 and Premiere Pro CC 2017.1 today. Read all about the new features.

Cool character animation using  Joysticks 'n Sliders, Keysmith  and Shape Repeater Baker by Adam Belis

Cool #Cinema4D process video Lasse Clausen

Fun Happy Ea(s)ter video using Joysticks 'n Sliders by mhz.tv

VinhSon Nguyen shows how to create stylistic water/liquid using Trapcode Mir.

Beautiful motion captured live action paint in water spot by Psyop. Includes very informative behind the scenes video. A must watch!

Joey Korenman of School of Motion gets into the nitty-gritty of how you can use flow to massively imporve your animation workflow.

Nice character animation using Joysticks 'n Sliders, Element 3D and more by Alex Amelines

Commercial using Mocha Pro, pt_SSAKaraokeAnimator and more by Shotgun VFX

Beautiful B&W stop-motion commercial for Leica by Vetor Zero

James Markham Hall, Co-Founder Gold Creek VR, shows us how to take care of some common 360° post-production tasks in After Effects. He uses the View-based Edit in SkyBox Studio V2 to place a 2D video window over 360° footage, covers the Nadir with a logo, and removes unwanted shadows. The tutorial uses footage from a 360 shoot at the home of Anthonio Brown, of the Pittsburgh Steelers.