The editor gives you a flat-looking shot, and wants you to comp it and return it, color as is. You have no camera information, no LUT. Comping on flat footage is hard, you can barely see, and the effects look a bit off. What's the easiest way around all of these problems?

Using the tracking power of Lockdown and the dynamic link between After Effects and Photoshop created by Paint Link, it's easy to use Photoshop's new Generative fill on moving footage!

Generate hundreds of unique personalized product videos using Lockdown for tracking and Templater for versioning in After Effects.

Learn how to make video appear as if it was illustrated using Lockdown in After Effects.

Check out this interview with Lockdown and Composite Brush creator Chris Vranos on the Mograph Podcast