Excellent reel from Luis Mejia created using Element 3D, Joysticks 'n Sliders, Data Glitch, Looper Pro and more.

For one week during each of the summer months, we will be featuring a select group of authors that will have their entire product catalog on sale for 25% off. Click through to see which authors are on sale.

Now works with bezier! This is a very powerful expression that you can use to drive all kinds of very cool effects! Based on knowledge from The Power of Expression Book 

We are proud to be founding backers of Bolt UXP. A lightning-fast boilerplate for building Adobe UXP Plugins in Svelte, React, or Vue built on Vite + TypeScript + Sass

Leverage the power of AI using Color Grade Prompter in After Effects to grade footage based on text inputs or reference layers

Ottoman Robot used Newton 4 to create an iconic animation shown on the Vegas Sphere and the Super Bowl. This is a BTS on how he created it!

Geoff Ryan used Nebulosity to create this music video for Killington Pit

Learn how to turn any 2d shape into a 3d neon vector shape that reacts to the beat of the music or sound in Adobe After Effects using Extrudalizer.

Inspired by Studio Kiln's work on their campaign for the Royal Television Society RTS Cambridge Convention 2023, we invite you to create a similar rendering using Newton 4 for After Effects and our "PrepareSoftBodies" tool.

Learn how to create squash and stretch animations easily using the Squash & Stretch plugin in After Effects

Black Mixture reviews the best A.I. plugins for After Effects including Mask Prompter, Neural Enhancement Suite, DeepClear, DepthScanner, Concept Buddy, and I Ate Mushrooms

In this updated tutorial, learn how to create a dynamic rope setup, where you could create a nice dynamic rope in After Effects using SpringyFX and a few expressions. This was previously shown in this tutorial, but this time with a real rope image (thanks to Puppet Pins) instead of relying on shape layers’ rotobezier path. 

Eran Stern shows how you can use Mobo_Utils to solve common problems in After Effects

Join mamoworld at the Video Creators Virtual Summit, Feb.18-22, an online training event about Premiere Pro and After Effects. He will do a session about free keyframing tools (KeyTweak, Squash & Stretch Free, Easy Bounce Free) and another one about Automation Blocks for After Effects. 

Another excellent New Year reveal created using Stardust, by Jean-Marie Marbach. 

The always excellent annual School of Motion Holiday Card created using Shadow Studio, Deep Glow, Lockdown, Newton, Pastiche, Stardust, Limber, Bendio, AutoFill, Joysticks 'n Sliders, EaseCopy, Ray Dynamic Color, Ray Dynamic Texture, Flow, Element 3D, Quick Chromatic Aberration, Cartoon Moblur, TextDelay, Type and more by the SoM alumni. Include mega project and assets download for free!

The Late Show with Stephen Colbert used Stardust, Deep Glow and Shadow Studio to create their annual animated holiday special.

Here's a quick tutorial on how you can edit a speed art in 2 minutes to share on your social media using Rapid Reel Composer in After Effects. Premiere Pro workflow also available.

The editor gives you a flat-looking shot, and wants you to comp it and return it, color as is. You have no camera information, no LUT. Comping on flat footage is hard, you can barely see, and the effects look a bit off. What's the easiest way around all of these problems?