People ask what the difference is between using Comp Buddy and using Channel Blur for edge blur. This tutorial video explains the differences.
Read MoreWhat is the difference between Comp Buddy vs Channel Blur in After Effects
Posted in After Effects Compositing Tutorials Live Action by Josh Johnson on October 21, 2024
The easiest way to composite VFX shots in After Effects is by using Easy Comp
Posted in After Effects Compositing Tutorials Live Action by Blace Plugins on October 15, 2024
Create 3D Models from Still Images using Face 3D in After Effects
Posted in After Effects Compositing Tutorials by aescripts + aeplugins admin on September 11, 2024
How to Make Animated Clouds for Your Map using GEOlayers in After Effects
Posted in After Effects Compositing Tutorials by Boone Loves Video on August 9, 2024
FIFA World Cup Qatar 2022™ Recap
Posted in Animation After Effects Design Compositing Inspiration Live Action by aescripts + aeplugins admin on July 30, 2024
Awesome FIFA World Cup video created using Pixelfan, Deep Glow, Color Shift, Displacer Pro, Pixel Stretch, and Glitch Control by RUN ZËBRA RUN.
Read MoreATARASHII GAKKO!
Posted in Animation After Effects Compositing Inspiration by aescripts + aeplugins admin on July 9, 2024
Digital Aging VFX in Doggy Bank Series using Lockdown in After Effects
Posted in After Effects Compositing Inspiration Live Action by aescripts + aeplugins admin on May 2, 2024
VFX Showreel | Constantin Maier (After Effects + Workflower)
Posted in After Effects Compositing Inspiration by aescripts + aeplugins admin on April 17, 2024
Color Grading using AI
Posted in After Effects Compositing Tutorials Live Action by aescripts + aeplugins admin on March 19, 2024
Leverage the power of AI using Color Grade Prompter in After Effects to grade footage based on text inputs or reference layers
Read MoreReversible color correction: A color workflow tip in After Effects.
Posted in After Effects Compositing Tutorials by Vranos on December 7, 2023
The editor gives you a flat-looking shot, and wants you to comp it and return it, color as is. You have no camera information, no LUT. Comping on flat footage is hard, you can barely see, and the effects look a bit off. What's the easiest way around all of these problems?
Read MoreSNL creates spots using Lockdown and Composite Brush
Posted in Tracking After Effects Compositing Tutorials Live Action by aescripts + aeplugins on December 7, 2023
Saturday Night Live (SNL) aired two spots last Saturday, one created using Lockdown to hilariously mimic misbehaving A.I. and Composite Brush to do blue screen keying for the Fully Naked in NY spot.
Read MoreGoodbye Rotobrush. Hello, Mask Prompter!
Posted in After Effects Compositing Tutorials Automation by Learn Mograph on June 5, 2023
Learn Mograph is very excited to show how Mask Prompter can replace Rotobrush for all your matting needs in After Effects.
Read MoreRecreating The Last Of Us Titles using AutoFill and QCA3 in After Effects
Posted in After Effects Design Compositing Tutorials by Ben Marriott on January 23, 2023
Ben Marriott recreates The Last Of Us titles using AutoFill and Quick Chromatic Aberration 3 in After Effects
Read MoreCreate a Pseudo 3D Timelapse in After Effects
Posted in After Effects Compositing Tutorials by aescripts + aeplugins on June 29, 2022
Learn how to use the powerful Projection 3D extension in After Effects to create a pseudo-3D timelapse shot using only still images.
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